(Carlos Saura, 1983)
IMDB
“Love is terrible and jealousy is treacherous”.
A flamenco twist on “the world's most famous opera,” Carmen is set
within a Spanish flamenco school, much like a mirror within a mirror. The
lighting, which is very theatrical, plays a key part in that, in some scenes
it's poor so that it may accentuate the bags under the women's eyes, or in
other cases, too harsh, so as to blur the features of the characters' faces. In
the scene where two performers dance with canes, their shadows cast against the
plain white walls, there is a really nice dynamic between their movement and
the representation of their shadows, which on occasion move separately from the
figures casting them.
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