The
Night of The Hunter
(Charles
Laughton, 1955)IMDB
The
terrifying Robert Mitcham, a real life bad boy, plays the leading
role of a preacher, complete with love and hate knuckle tattoos.
Laughton experiments with a lot of different shots, including aerial/
above shots and even a with camera attached to the front of a
car.
Mitcham appears terrifying and looming, a black figure at the end of the garden in the shadow of a single street lamp, accompanied by the booming, great music each time he appears. He speaks with musicality and authority, casting a shadow over any other characters within his scenes.
Mitcham appears terrifying and looming, a black figure at the end of the garden in the shadow of a single street lamp, accompanied by the booming, great music each time he appears. He speaks with musicality and authority, casting a shadow over any other characters within his scenes.
In
the attic room scene, there's a single bedside lamp that provides
little light. The light from the single window casts across the set
and the mother lies in bed, within the white light. The preacher
casts a looming shadow over her and the room plunges into darkness as
he stabs her. Later her body sits upright in a white car at the
bottom of the river. Her hair blows with the current of the water, in
synchronisation with the underwater reeds.
The
preacher later appears haunting as a silhouette on the hill at dusk,
chasing the children from their homes. And the children appear
drifting downstream in a rowing boat, silhouetted against the the
dark riverbank.
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